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The open ocean, far from the shore and miles above the seafloor, is a vast and formidable habitat that is home to the most abundant life on our planet, from giant squid and jellyfish to anglerfish with bioluminescent lures that draw prey into their toothy mouths. Into the Great Wide Ocean takes readers inside the peculiar world of the seagoing scientists who are providing tantalizing new insights into how the animals of the open ocean solve the problems of their existence.
Sönke Johnsen vividly describes how life in the water column of the open sea contends with a host of environmental challenges, such as gravity, movement, the absence of light, pressure that could crush a truck, catching food while not becoming food, finding a mate, raising young, and forming communities. He interweaves stories about the joys and hardships of the scientists who explore this beautiful and mysterious realm, which is under threat from human activity and rapidly changing before our eyes.
Into the Great Wide Ocean presents the sea and its inhabitants as you have never seen them before and reminds us that the rules of survival in the open ocean, though they may seem strange to us, are the primary rules of life on Earth.
In 1842, Black Rhode Islanders secured a stunning victory, a success rarely seen in antebellum America: they won the right to vote. Amid heightened public discourse around shifting ideas of race, citizenship, and political rights, they methodically deconstructed the arguments against their enfranchisement, exposing the arbitrariness of the color line in delineating citizenship rights and choosing the perfect moments in which to act forcefully. At the head of this movement, a cohort of prominent business and community members formed an early example of a Black leadership class in the US.
CJ Martin draws upon a wealth of sources--including personal correspondences, government and organizational documents, tax records, and petitions--to argue that Black leaders employed a unique combination of agitation and accommodation to ensure the success of the movement. By investigating their tactics, Martin deepens the story of how race played a crucial role in American citizenship, and by focusing on Black leadership, he relates this history through the people who lived it--who thought, debated, petitioned, and enacted their own liberation. Telling the story of a fight that was as important to the pioneers of interracial democracy as it was for the civil rights activists of the twentieth century, The Precious Birthright provides new insight into the larger story of Black freedom.
In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators.
In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field..
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